Today I found this article on the Hungarian Live Act Community page about me, Electro Boogie and the cover of Giorgio that I made. This made very curious about what is written and you wrote it, so if you are hungarian can you translate to me? and better if you are the people who wrote it can you contact me? Thanks for the support
Our hungarian friend Tibor made us the favor to translate it, here we go: "Today, we want to draw your attention to a very modern interpretation of a real classic. The legendary „The Chase” is a work of Giorgo Moroder whom we can say thanks for many soundtracks and synth-oriented classics. Moroder, from South Tirol gave music lovers a great number of cult tunes, for example Donna Summer’ Love to love you baby or I feel love amongst them, but he also produced songs for Blondie, David Bowie or Japan, to mention a few big names. To put it short, he can be considered as a great artist of modern music. The recording, which is a subject of our article was made by Caio Zini, who is also the host of the site „Electro Boogie Encounter”. It is a blog where you can regularly find shared disco, funk, old school, soul, hip hop, electro, indie, chillwave, synthpop, house, french house and nu-disco tracks, with Caio Zini’s reworks and remixes among them. The following video has been made for the one year anniversary of the blog – from the tracks published so far, one can guess Caio Zini’s musical orientation; a good example of it is Giorgio Moroder’s The Chase. As it is the year 2011, his cover version is a rather modern one. It is possible that the tune will make some division among the fanatic Moroder fans as Caio Zini kept the basic track of the song but in other terms, he completely rebuilt the track in a new skool fashion, making it compatible with the actual trends in electronic music. From our point of view, the song is indeed important as it is made with a KORG EMX-1, dismissing every other tools. The famous main track played through a sawtooth(?) synth element this time, and modulated tones are not rare throughout the whole song, either. There are more synth type changes in the main theme, providing variability in the song. Of course, the song includes a rhythm operating in a higher scale of sound. Int he beginning, the song uses some more distinguished drums, but as it progresses, a more hard distorted kickdrum comes into play. Caio Zini’s rework presents the possibilities in KORG EMX-1 in an excellent way. Users fond of electro-house reworks can find this tune longer than 10 minutes as an excellent example of using this tool." He also said that the site is related Korg of Hungary. I have to thanks again Szabó Tibor for the help
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Our hungarian friend Tibor made us the favor to translate it, here we go:
"Today, we want to draw your attention to a very modern interpretation of a real classic. The legendary „The Chase” is a work of Giorgo Moroder whom we can say thanks for many soundtracks and synth-oriented classics. Moroder, from South Tirol gave music lovers a great number of cult tunes, for example Donna Summer’ Love to love you baby or I feel love amongst them, but he also produced songs for Blondie, David Bowie or Japan, to mention a few big names. To put it short, he can be considered as a great artist of modern music.
The recording, which is a subject of our article was made by Caio Zini, who is also the host of the site „Electro Boogie Encounter”. It is a blog where you can regularly find shared disco, funk, old school, soul, hip hop, electro, indie, chillwave, synthpop, house, french house and nu-disco tracks, with Caio Zini’s reworks and remixes among them.
The following video has been made for the one year anniversary of the blog – from the tracks published so far, one can guess Caio Zini’s musical orientation; a good example of it is Giorgio Moroder’s The Chase. As it is the year 2011, his cover version is a rather modern one. It is possible that the tune will make some division among the fanatic Moroder fans as Caio Zini kept the basic track of the song but in other terms, he completely rebuilt the track in a new skool fashion, making it compatible with the actual trends in electronic music.
From our point of view, the song is indeed important as it is made with a KORG EMX-1, dismissing every other tools. The famous main track played through a sawtooth(?) synth element this time, and modulated tones are not rare throughout the whole song, either. There are more synth type changes in the main theme, providing variability in the song. Of course, the song includes a rhythm operating in a higher scale of sound. Int he beginning, the song uses some more distinguished drums, but as it progresses, a more hard distorted kickdrum comes into play. Caio Zini’s rework presents the possibilities in KORG EMX-1 in an excellent way. Users fond of electro-house reworks can find this tune longer than 10 minutes as an excellent example of using this tool."
He also said that the site is related Korg of Hungary.
I have to thanks again Szabó Tibor for the help
Caio!! sorry...Blitz!
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